All peoples, nations and languages will be brought under his rule. And to him was given dominion and glory and a kingdom, that all peoples, nations, and languages should serve him his dominion is an everlasting dominion, which shall not pass away, …”ĭaniel 7 speaks of ‘the Son of Man’ being publicly enthroned at God’s right hand. His Jewish hearers would have understood this as the fulfilment of the prophecy of Daniel 7:13f: “I saw in the night visions, and behold, with the clouds of heaven there came one like a son of man, and he came from the Ancient of Days and he was presented before him. People will faint with fear and foreboding… at strange and forbidding events, he says.įurthermore, he speaks his return as the coming of ‘the Son of Man’. The words about signs in sun and moon and stars are apocalyptic language, speaking of times to come in a highly metaphorical form of expression. In Luke chapter 21 we read his prediction of events before his return: “And there will be signs in sun and moon and stars, and on the earth distress of nations in perplexity because of the roaring of the sea and the waves, …” (21:25). In Luke 21:25-28 we are taken to another of Jesus’ key predictions. The first was accompanied with joy, the second with fear and anger – which led to war. We saw this with the fall of the Berlin Wall in November 1989 and with the destruction of the twin towers in New York on September 11, 2001. There are times when unexpectedly, momentous upheavals occur – events that can impact the course of history. And now centuries have passed and nothing has happened. Certainly, the idea of him bursting through the skies in a blazing display of power and glory, doesn’t come easily. From New Testament times anyone who has said that Jesus Christ will return one day has been considered crazy.
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Live performances īrown promoted the song with live performances on televised shows and festivals, including Jimmy Kimmel Live!, Taraji & Terrence's White Hot Holidays, the "Lil' Weezyana Fest 2016", and the 3rd iHeartRadio Music Awards. Intercut with performance clips where Brown sings the song in a club. After Brown and his girlfriend get intimate, showing them kissing and touching on display in the shower and bedroom. The video begins, after the conclusion of Brown's " Fine by Me" music video, and starts with Brown making a call to his girlfriend, insisting that he come over even though it's late at night. The music video for "Back to Sleep" was directed by Brown. The video begins after the conclusion of Brown's " Fine By Me" music video. On December 14, 2015, Brown uploaded the music video for "Back to Sleep" on his YouTube and Vevo account. Chris wonders if she’ll leave him a spare key, but then cautions, “But if you keep the door unlocked, be ready”". so he too can be healed (“f-k”), then tuck her in for actual sleep. īrad Wete of Billboard analyzed its lyrical content by saying that "Brown stars, most likely, as himself - fresh off a late night flight into town where, hopefully (but honestly, certainly) a beauty he’s yearning for will stay awake long enough for him to arrive at 3:30 a.m. The production of the song infuses elements of new school R&B with elements of '80s pop, and is a based on roland TR-808 beats. "Back to Sleep" is an R&B, mid-tempo slow jam about late night sex, that features beats and minor influences of funk, reminiscent of Marvin Gaye's 1982 song " Sexual Healing". The videoclip displays an intimate sexual situation between Brown and his loved one.īrown for the song was inspired by Marvin Gaye's 1982 song " Sexual Healing" Its music video was released on December 14, 2015, and is part of Royalty music videos storyline, following the conclusion of Brown's " Fine By Me" music video. The song became the most successful one from the Royalty album, peaking at number 20 on the US Billboard Hot 100 and number 5 on the US Hot R&B/Hip-Hop Songs chart. The song received comparisons to Brown's previous singles " Take You Down" (2008) and " No Bullshit" (2011), and also to Marvin Gaye's 1982 song " Sexual Healing", for its similar musical direction. Some critics defined it as the best R&B song of its decade. The song received universal acclaim from contemporary music critics, noting it as one of the album's highlights, celebrating its production and Brown's vocal performance. Three official remixes of the song were released during the first months of 2016, one featuring Usher and ZAYN, another one featuring Miguel, August Alsina, and Trey Songz, and the last one featuring Tank, R. The song was released as the album's third single and its first urban single on November 5, 2015. " Back to Sleep", also known by the censored version title " Sex You Back to Sleep", is a song by American recording artist Chris Brown from his seventh studio album Royalty. 2015 single by Chris Brown "Back to Sleep" MXGP 2020 Key generator also has automatic updates so that we will always have a fresh and active cheats. This cd key you get from us is unique.How to get MXGP 2020? Get the MXGP 2020 Generator! Now you can have everything for free! 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It was really, I just wanted a reputation in a small rural community that I had made it," Jack says. "And it really wasn't about that level of basketball. I would pray for him to make me taller."īack then, Jack's goal was to land a Division I scholarship. "I would pray for more motivation, for more focus, for me to work hard. Really, church to me, God to me, existed to make me a better basketball player," he says. He figured if he could control a ball on rocks, he could manage one on a hardwood court. He practiced dribbling on the gravel outside his house. "Yeah, I would've rather been working on my game," Jack says. "What would you have rather been doing with your time?" I ask. "I didn't really like it too much because, one, it was difficult to sleep. It's the church where Jack was baptized, where his parents took him as a little kid. The roots of Jack's plan can be traced back more than a decade to a Lutheran church in Black River Falls, Wisconsin. 'I Would've Rather Been Working On My Game' Little did Kobe know, but Jack's 138-point game was part of a plan - a plan to spread a message that went beyond basketball. Impressive - maybe not an example of sportsmanship, but we'll get to that later. "From Grinnell College, in Iowa," a reporter answered. He was on SportsCenter, The Dan Patrick Show, Jimmy Kimmel, The Today Show.Įven Lakers star Kobe Bryant - who once famously scored 81 points in a game - was impressed when he heard about the performance. That night, Jack Taylor - a 5-foot-10 guard on a Division III team - became the biggest story in basketball. Tyler Labine is best mate Sock and is playing pretty much the same character that he played in INVASION, but that's OK because it fits the show perfectly whilst Ray wise is an inspired choice as the Devil considering that he did something similar in TWIN PEAKS (especially the second season), effortlessly mixing up the funny and frightening into a surprisingly believable depiction of hell's master. Brett Harrison is a very engaging everyman slacker whilst Missy Peregrym is the appealing love interest. It helps that the cast are extremely likeable. If the show can keep coming up with sequences of that quality then this could well become our favourite show of the moment. Touches like the Devil giving Sam a dustbuster to take on the demon or the local Vehicle Licensing Centre being the actual personification of Hell on Earth are great, but the scene with Sam and his best mate Sock tooling up for the job only to find the dustbuster needs charging is hilarious. The concept is fantastic, playing with the current trends for superheroes and slacker stories, packing in the kind of humour that made Kevin Smith's CLERKS such a huge hit (and it's therefore no surprise that Smith himself helms this opener). The first is an ex-firebug turned fireman, but the job isn't going to be as easy as it at first looks.Īs opening episodes go, there aren't that many as good as this one. Then he learns that his parents sold his soul to the Devil before he was born and the Devil now wants him to act as a bounty hunter tracking down souls that have escaped from hell. He lives at home with his folks, works in a huge warehouse retail outlet, had no real sense of where he's going or what he wants to do. Subscribe to RSS headline updates from: Powered by FeedBurner Sci-Fi Freak Site:REAPER Season 1 episodes reviewed For students in particular, BMC can be a helpful credential in job applications, offering a certificate of completion that can be mentioned on résumés. Reserving your time on the terminal gives you primary access on the Terminal at that time and ensures that everyone in the Union community has equitable access to this popular and limited service.īloomberg Market Concepts (BMC) is a self-paced ten-hour e-learning course that provides an interactive introduction to both the financial markets and the Bloomberg Terminal. Due to demand for this service, we ask that anyone interested in using the Bloomberg Terminal please sign up for time using the online appointment calendar. The Terminal is available for use in the back of the Learning Commons on the first floor of Schaffer Library (near the photocopiers). The Bloomberg Terminal is a computer system for real-time financial data analysis, trading, and news. In an interview last month with the Pulse of Radio, he shot back at his detractors: "All these critics, they're just tireless," he said. Yet this year, ahead of the release of their latest effort, "No Fixed Address," Nickelback and Kroeger took a slightly different position. And it was partly a form of denial, since it wasn't just snotty critics, as Kroeger suggested, but a good chunk of the population at large, that mocked the band. It was mostly the shrug of the massively successful: the members of Nickelback played to adoring crowds they didn't feel like the most hated band in the world. We sell a lot of records and fill a lot of arenas, and we don't hear many complaints." This, for many years, was the band's standard response to the invariable questions it received about its unpopular popularity. "We've never really been a critics' darling or anything like that," Kroeger told Billboard, in 2011. It was studied hitmaking disguised as mere good times: millions of fans rocked out, while critics smirked at the band's appropriations and responded to Nickelback's gestures toward history by comparing it unfavorably to forty years’ worth of better groups: the group was Pearl Jam without the intelligence, Metallica without the edge, AC/DC without the humor. Nickelback got its start in Alberta, in the mid-nineties, as a cover band, and, in effect, it has always remained one, taking what it liked from different periods of hard rock-grunge guitars, thunking stadium-rock drums, pop-rock hooks, and hair-metal lyrics about sexual and chemical excess-and putting it all behind the signature (and much parodied) low, raspy growl of the lead singer, Chad Kroeger. Billboard named it the top band of the two-thousands, and two of its signature songs, " How You Remind Me," from 2001, and " Photograph," from 2005, were among the most popular singles of the decade, in any genre. As of 2012, the band had sold more than fifty million albums. (Howard seemed mostly confused when confronted about it after the game.) As the critic Steven Hyden wrote at Grantland, "Hating Nickelback is the last form of pop music monoculture." It is, in other words, the only thing on which music fans can seem to agree.Įxcept, of course, not everyone thinks that Nickelback is terrible. A few years ago, a protestor in Chicago held up a sign accusing Mayor Rahm Emanuel of liking Nickelback (Emanuel's spokesman said no way) this summer, an Atlanta Braves fan made a sign that said the Phillies' Ryan Howard was a fan. (It played anyway.) Earlier this fall, a man from London started a fund-raising campaign to keep the band from touring in the United Kingdom. In 2011, more than fifty thousand people signed an online petition to protest the fact that Nickelback had been hired to play the halftime show at the Detroit Lions' Thanksgiving game. Nickelback is in the news this week because it has just released a new album, but usually the band makes headlines only when it is on the receiving end of some new expression of public disdain. Could all the people who have gleefully insulted Nickelback be the ones who have helped it to endure? Photograph by Buda Mendes/Getty Most manufacturers also customize the quick settings themselves. Therefore, there are always several options here. Fortunately, the selection can be personalized to your tastes and habits, so you always have access to the most important settings for you. Also, you can always disable annoying or uninteresting notifications just by long-pressing an alert. This will open a small menu where you can choose how you want to be notified by the app. If you press and hold down an icon, you will enter the settings for this function. Some of the most common things you can change from here include enabling and disabling Wi-Fi, Bluetooth, and other connections, turning on/off the hotspot, toggling the auto-rotate option, and switching on the flashlight. From here, you can quickly turn on/off a feature without having to go to the settings menu. In addition to the notifications, another set of important things you can access from this swipe-down gesture are the quick settings toggles. For example, you can reply to a WhatsApp message from within the notification bar without the need to open WhatsApp app. Modern Android versions allow users to respond directly within the notification without the need to open the app that sent the notification. You can then clock the notification to open the corresponding app or simply swipe to the right or left to dismiss the notification. The notification bar also contains notifications, which you can open with a swipe-down gesture. This gesture reveals a lot of information – the example of which includes recent screenshots, a WhatsApp message, Facebook notifications, and email alerts. The status bar shows you the current time, the battery status, and the connections / © NextPit Usually, the sequence of the icons indicates how new or old the notifications are. The most recent notifications are displayed on the far left. So, if you listen to music via Spotify or, the corresponding icon will be displayed on the notification bar. The Notification bar, on the other hand, is located on the upper left side, where you'll find app icons to alert you to new messages, updates to the Play Store, and other notifications. This is where you will see things like the current time, battery status, and current connections (Bluetooth, cellular network, and Wi-Fi). The status bar and the notification bar are very similar, but in reality, they are two different things. The status bar is located at the top of the display, on the right. Status bar and notification bar: What is the difference? The status bar
We laugh every time the over the hill bodybuilder makes a homosexual slur against our lead. Unlike past efforts, where the Polonias used gore and sleaze to make their points, this mild mannered movie wants its retro retardation to carry it - and for the first 45 minutes or so, it does. Splatter Beach has all the trappings of a mid '80s VHS epic, from the ridiculous man in a monster suit to the copious amounts of fake blood. No longer the mavericks with an 8mm lens clamped to their hands, they've settled into the role of old school scare savants rather well. They will do just about anything - no matter the lack of logistical or logical rationale - to realize their motion picture particulars, and Splatter Beach is a perfect example of this creative concept.Īt this point in their career, these middle aged men who have used homemade cinema as a cockeyed creative release are really riding on reputation. There is perhaps no more daring cinematic partnership as the one forged between these Pennsylvania siblings. Does something that already feels like a spoof really need a cinematic dressing down? Even worse, can a movie that already manufactures its own unintentional humor really be part of such genial junk reverence? Since we are dealing with the men who made foam rubber aliens appear absolutely anarchic in their Feeders films, and delivered both gore and the gratuitousness with their debut diversion, Splatter Farm, the answer is an obvious "Yes". Sea Monster strangeness, the weird warning signals start going off in your aesthetic. So when you first discover that filmmaking siblings John and Mark Polonia are out to make their latest effort, the goofy Splatter Beach, a riff on such schlock classics as The Horror of Party Beach and similar Man vs. Choose poorly, however, and you'll end up melting into a motion picture pile of goo, or rapidly aging into a tired genre corpse. Choose wisely, and the combination of past and present merge into something very close to immortal. It's a lot like Indiana Jones and the Last Crusade when it comes to picking your horror homage. Like one tourist says, they don't call it Splatter Beach for nothing. One by one, the townsfolk find themselves the victim of an amphibious evil, a horror that walks the bingo blanketed shoreline looking for blood and body parts to satisfy its sinister urge. He runs into Tess, a resident reactionary who tries to warn the town of the terror all around. The couple just want to pump and party, but the jaunty journalism major wants a story. This spurs the interest of reporter wannabe Rubert, who along with his friends Rodney and Tonya, rent a cabin near the locale. People have been disappearing left and right, and some of the locals fear some manner of murderer has risen from the watery depths. Over at the lakeside community of Sea Bright Beach, strange things are going on. The answer is intriguing, to say the least. Naturally, the question becomes if the company can create what it easily unearths and rereleases. Now, the suits have strapped in and decided to make their own damn movies, and they've hired noted terror twins Mark and John Polonia ( Splatter Farm, Feeders) to helm their first ever offering - a tongue in cheek creature feature entitled Splatter Beach. Resurrecting such repugnant remnants as Video Violence ( 1 & 2) as well as Ghoul School, and the Zombie Bloodbath trilogy, it seemed that any and every gore-drenched disaster from the Greed decade was destined to find a new aluminum disc home within their inventory. Instead of concentrating on new, novel product, or well regarded nostalgia, the appropriately titled enterprise wanted to go back to the days of direct-to-video variety, a time when Super VHS and camcorder creativity ruled the no-budget, independent horror terrain. When they first appeared on the DVD horizon, Camp Motion Pictures had come up with one of the most peculiar business models in the entire movie distribution industry. |
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